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Oak Ridge, TN, USA |
Sebastian Münster and his "Cosmographia" |
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Sebastian Münster (born born Jan. 20, 1488, Ingelheim, electorate of Mainz [Germany]; died of plague May 23, 1552, Basel, Switzerland) was a German cartographer, cosmographer, and Hebrew scholar whose Cosmographia (1544; "Cosmography") was the earliest German description of the world and a major work - after the Nuremberg Chronicle of 1493 - in the revival of geographic thought in 16th-century Europe. After studying at Heidelberg (1503-1508) and Tubingen (1514-1551), he entered the Franciscan order, but abandoned it for Lutheranism about 1529. In 1524 he was appointed to teach the Hebrew language at the University of Heidelberg; this appointment was ill paid, and it was evidently with no reluctance that Münster accepted an invitation to the chair of Hebrew at the university of Basel, whither he moved in 1529. At Basel he was to spend the rest of his life. In 1530 he married a widow of late printer Adam Petri, thus gaining for himself a measure of financial security and the services of the substantial printing-house of his stepson Heinrich Petri, who was to produce, sometimes in collaboration with Michael Isingrin, most of his later works. A disciple of Elias Levita, he was the first German to edit the Hebrew Bible (2 vols., fol., Basel, 1534-1535); this edition was accompanied by a new Latin translation and a large number of annotations. He published more than one Hebrew grammar, and was the first to prepare a Grammatica Chaldaica (Basel, 1527). His lexicographical labors included a Dictionarium chaldaicunt (1527), and a Dictionarium trilingue, of Latin, Greek and Hebrew (1530). In 1540 he published a Latin edition of Ptolemy's Geographia, illustrated with 27 woodcut maps after Ptolemy and 21 of Münster's own design. Of about 40 editions of the Cosmographia printed in Germany during 1544-1628, the 1550 edition, containing portraits, city views, and costume illustrations, is the most valued. His other works include Dictionarium trilingue (1530; “Trilingual Dictionary”), in Latin, Greek, and Hebrew, and Mappa Europae (1536; “Map of Europe”). Although other cosmographies predate Münster's, he is given first place in historical discussions of this sort of publication, and was a major influence on his subject for over 200 years. Heinrich Petri, his successor continued to publish new edition of the Cosmographia, as did Heinrich's son Sebastian Henri Petri. Münster text was much reprinted by other publishers, most notably by Francois de Belleforest, although the maps and plans used to illustrate this edition were taken from more modern sources - Abraham Ortelius's Theatrum Orbis Terrarum (1570), and Braun and Hogenberg's Civitates Orbis Terrarum, published from 1572 onwards. Indeed, for the 1588 edition of the Cosmographia, Sebastian Henricpetri substituted new maps taken from Ortelius, but using woodcuts cut in emulation of the copperplate style of Ortelius's maps. |
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In nearly all works about Münster, his Cosmographia is given pride of place. Despite this, we still lack a detailed survey of its contents from edition to edition, during the years 1544 to 1628, and an account of its influence on a wide range of scientific disciplines. Münster obtained the material for his book in three ways. He used all available literary sources. He tried to obtain original manuscript material for description of the countryside and of villages and towns. Finally, he obtained further material on his travels (primarily in south-west Germany, Switzerland, and Alsace). Cosmographia contained not only the latest maps and views of many well-known cities, but included an encyclopaedic amount of detail about the known - and unknown - world and undoubtedly must have been one of the most widely read books of its time. Aside from the well-known maps and views present in the Cosmographia (including the first separate printed map of the Western Hemisphere), the text is thickly sprinkled with vigorous woodcuts: portraits of kings and princes, costumes and occupations, habits and customs, flora and fauna, monsters and horrors. Of about 40 editions of the Cosmographia printed in Germany, the 1550 edition, containing portraits, city views, and costume illustrations, is the most valued. The 1544-1588 editions of Cosmographia are divided into six books. Book I is a useful summary of astronomical-mathematical and physical geography. Book II deals with England, Spain, France, and Italy. Book III deals with Germany and surrounding lands. Book IV embraces northern, eastern, and south-eastern Europe. Books V (Asia and America) and VI (Africa) are of modest proportions. The 1614 and 1628 editions of Cosmographia are divided into nine books. Nearly all the sections, especially those dealing with history, were enlarged. Descriptions were extended, additional places included, errors rectified.
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Artists, Designers, Woodcutters Well-known artists were recruited to design the illustrations. The drawings and fair copies of sketches supplied were made by Hans Rudiolf Manual, Davind Kandel, Jakob Clauser, Heinrich Holzmüller, and Christoph Schweicker.
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